How to end all wars – the Left-wing way
How Wars End, by ex-Greenpeace activist Jan van Aken, offers a hopelessly unrealistic appraisal of the world’s many ongoing nightmares

How Wars End, by ex-Greenpeace activist Jan van Aken, offers a hopelessly unrealistic appraisal of the world’s many ongoing nightmares
Ballet Under the Stars in Wiltshire aims to bring the ethos of country house opera to dance – and the company is now spreading its wings
Replacing Lang Lang, the US polymath proved a breath of fresh air in Channel 4’s ever-comforting showcase for gifted pianists
Nevil Shute’s Second World War novels pulsed with heroism and human pain. They were also eerily prophetic
In Japan, scores of nations are gathering to flaunt their cultural wares at Expo 2025. Why? Look to the 19th century
John Patrick McHugh’s debut novel, Fun and Games, is a touching and acutely observed portrait of one boy’s pre-university summer
After a chaotic six-day stint on the ITV show, the Hollywood actor’s ‘inappropriate behaviour’ has spelt his end. Was it worth it?
Much of her work was Nazi propaganda, yet nevertheless Leni Riefenstahl has influenced everyone from George Lucas to Francis Ford Coppola
Vladislaw Zubok’s sweeping history of the period, The World of the Cold War, may be timely, but it’s weakened by its peculiar perspective
The 1969 film was hugely successful – but this production at Southwark Playhouse jarringly sets the mournful story to upbeat rock
King James VI & I has long been traduced as an effeminate, slobbering fool. But 400 years after his death, history is being rewritten
From the homoerotic bonds of the 17th century to 1990s romcoms, Tiffany Watt Smith has traced the evolution of female friendship with style
The 2-Tone pioneer on her difficult Essex childhood, finding solace in reggae and her new Sky Arts documentary
City of Fiction, the new novel from one of China’s leading writers, Yu Hua, follows a young father in desperate search of utopia
From schooldays to acting superstardom, the American has always had a flair for jazz. He talks teachers, tics and Spielberg’s tunes
Your complete guide to the week’s best films on TV, across terrestrial and digital platforms
The baking legend, 85, on sowing seeds, singing her heart out and sneaky siestas
Critics believe Radio 4’s rural soap should be a mouthpiece for farmers’ grievances, but their attempt to be so was too information-heavy
When Lee Wenham and his gang of thieves set their sights on the Millennium Star, little did they know their story would inspire Guy Ritchie
Industry veterans Jimmy Mulville and Peter Fincham are taking on broadcast behemoth The Rest is Entertainment in Insiders: The TV Podcast
Justin Vernon and co take their sound in a new direction with Sable, Fable – their most honest album yet. Plus, the week’s best songs
The Take That star’s wine tour Down Under represented a nadir for pale, male and stale travelogues
James Toback once hobnobbed with Warren Beatty, Robert Downey Jr and Alec Baldwin. Now he faces disgrace and destitution
On their first arena tour, the original trio’s set was nostalgic – but lacked the bells and whistles needed to fully engage the O2 crowd
This zesty triple bill from ENB boasts one marvellous standout piece – postmodernism is rarely this enjoyable
Nolan’s blockbuster epic will be the cinematic event of 2026. But watch out – Hollywood too often puts Homer to the sword
Barney’s fast food! Streamberry! Hark backs to San Junipero and Bandersnatch! Here’s your guide to all of this season’s Easter eggs
Crammed with proper movie-star performances, this genre-bending film from Black Panther director Ryan Coogler is an absolute riot
Apple TV+’s clever new drama gives Hamm his meatiest role since Don Draper – and it could just prove the streamer’s next Ted Lasso-level hit
Back in the Day, 21-year-old Oliver Lovrenski’s debut novel, follows a group of teenagers navigating a seedy world of drugs and stabbings
Colonel Guy Deacon’s extraordinary and emotive Channel 4 documentary is a lesson in human resilience, and refusing to give up
Bake Off’s producers must be kicking themselves at the success of this BBC One series